yves saint laurent bonello split screen | bertrand bonello st laurent yves saint laurent bonello split screen Employing split-screen to juxtapose the culture clashes of the 60s with scenes of models sporting YSL’s latest outfits, Bonello tries to show how much fashion is a product of its . Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia is a 2006 memoir by American author Elizabeth Gilbert. The memoir chronicles the author's trip around the world after her divorce and .
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Here, in one of the most sublime sequences I’ve experienced in any recent movie, Bonello presents the event from a variety of fractured angles, in a split-screen composed like a . Even fashionistas, who will likely find the film irresistible, might be disappointed with Bonello's apparently ambivalent view of the movie's subject: Using split screen, he . Bonello uses a split-screen edit and archival footage to fit Saint Laurent’s initial desire for freedom into the broader culture of protest of the late sixties.
A split-screen montage that sequences a run of YSL collections against the political crises of the late Sixties might have come off as glib were it not so elegantly framed (and commented on) . Employing split-screen to juxtapose the culture clashes of the 60s with scenes of models sporting YSL’s latest outfits, Bonello tries to show how much fashion is a product of its . The film concludes with YSL’s chef d’oeuvre, the 1976 Opera Ballet Russe Collection, in which Bonello manipulates his operatic score and Mondrianic split-screen .
Bonello shows us these lavish, jewel-toned garments, each more ornamental and textured than the last, in a split-screen format reminiscent of Saint Laurent’s Mondrian-inspired . Bertrand Bonello's long-awaited film about Yves Saint Laurent debuts at Cannes on Saturday. And this is how historic consultant Olivier Châtenet used his own vintage YSL .
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1967–1976. As one of history’s greatest fashion designers entered a decade of freedom, neither came out of it in one piece. "A lush, stylish and evocative journey. Bertrand Bonello's . A lush, stylish and evocative journey through the life of enigmatic French fashion designer Yves Saint Laurent, Bertrand Bonello’s magnificently mounted biopic succeeds as a .By the time he sent his 1971 collection “Hommage aux Années 40s” down the runway, Yves Saint Laurent had established himself as the great modernizer of 20th-century fashion. Gone was the wasp-waisted, haute-feminine silhouette popularized by Dior, replaced with a broad-shouldered, thin-hipped androgyny that normalized trousers for women and suggested the tuxedo jacket . L’utilisation du split screen . tout de même, sur les acteurs du film : Gaspard Ulliel est un incandescent et pathétique Yves Saint Laurent. Il agace autant qu’il émeut, scandalise autant qu’il apitoie. . éblouissante dans le rôle de Anne-Marie Munoz, la directrice du studio haute couture de Saint Laurent. Bonello a fait de son .
The first YSL project unveiled was Bertrand Bonello’s Saint Laurent, featuring Hannibal Rising star Gaspard Ulliel in the titular role. Plans for actor-turned-director Jalil Lespert’s Yves . He approved the screenplay for Yves Saint Laurent, to be directed by the César-winning actor Jalil Lespert, which begins in January 1958 when Saint Laurent presented his first haute couture . As the years slip by, Yves Saint Laurent gradually loses contact with the . Bertrand Bonello gives to the trajectory of Yves Saint Laurent all of the wealth which it merits, and the film is full of original and surprising ideas, always arriving at the right time (the superb ellipsis based on Betty dancing, going through a split screen with .
Early on in Bertrand Bonello's extravagantly imagined portrait of designer Yves Saint Laurent, strict orders come down from the Great One to the stressed-out sewing room, or whatever they call it .
★★★★☆ In Bertrand Bonello’s “Saint Laurent,” to be released May 8, the formulaic biopic is decomposed and reconstructed to parallel the French designer’s innovative fashion. Time becomes meaningless as Yves Saint Laurent’s muses, business ventures and lovers are woven into a holistic view of his career. While YSL is applauded today for redefining .
It is rather unusual that two French biographic films about the prêt-à-porter fashion icon Yves Saint Laurent (1936-2008) both came out in the same calendar year, YVES SAINT LAURENT opened in January 2014, directed by actor-turns-director Jalil Lespert, stars a rather unknown Pierre Niney as our protagonist and Guillaume Gallienne (the triple threat of 2014 CÉSAR .
Past titles on its slate include Anne Fontaine’s Audrey Tautou-starring Coco Before Chanel , Rudolphe Marconi’s Lagerfeld Confidential and Pierre Thorreton’s documentary Yves Saint Laurent .
Gorgeous but it feels like Bonello deliberately chafing against boring biopic expectations to the point of abandoning any real structure at all, and intermittently intriguing ideas don't really get examined, like the idea of Saint Laurent being managed as a human brand, or the split screen fashion/history sequence, which is great but also feels a little tossed off. Dir: Bertrand Bonello. France. 2014. 150mins. A lush, stylish and evocative journey through the life of enigmatic French fashion designer Yves Saint Laurent, Bertrand Bonello’s magnificently . Article content. Saint Laurent 1/2 Starring: Gaspard Ulliel, Léa Seydoux, Jérémie Renier, Louis Garrel, Aymeline Valade, Brady Corbet Directed by: Bertrand Bonello Running time: 150 minutes You .Gorgeous but it feels like Bonello deliberately chafing against boring biopic expectations to the point of abandoning any real structure at all, and intermittently intriguing ideas don't really get examined, like the idea of Saint Laurent being managed as a human brand, or the split screen fashion/history sequence, which is great but also feels a little tossed off.
That seems to be the theme of “Saint Laurent,” an epic-length biopic (not to be confused with last year’s “Yves Saint Laurent,” a briefer and less juicy authorized account) about the enigmatic master of haute-couture fabulousness who died from a brain tumor in 2008 at age 71.Ultimately hollow as director Bertrand Bonello keeps his subject somewhat emotionally at bay, the movie .
Like “Yves Saint Laurent,” Bonello’s film . creative comeback of his Moroccan-inspired 1976 collection — presented by editor Fabrice Rouaud in a fragmented split-screen format that . Bertrand Bonello's long-awaited film about Yves Saint Laurent debuts at Cannes on Saturday. And this is how historic consultant Olivier Châtenet used his own vintage YSL collection to dress the film.Gorgeous but it feels like Bonello deliberately chafing against boring biopic expectations to the point of abandoning any real structure at all, and intermittently intriguing ideas don't really get examined, like the idea of Saint Laurent being managed as a human brand, or the split screen fashion/history sequence, which is great but also feels a little tossed off.
Biopic coescrito y dirigido por Bertrand Bonello centrado en el célebre diseñador francés Yves Saint Laurent. La cinta nos habla de las aspiraciones y los logros conseguidos por el famoso . Yves Saint Laurent is credited with introducing haute couture to style-conscious women everywhere. One of the most influential designers of the 20th century, he opened the first ready-to-wear .
Saint Laurent est un film de Bertrand Bonello. Synopsis : 1967 - 1976. La rencontre de l'un des plus grands couturiers de tous les temps avec une décennie libre. Aucun. films. séries. . Yves Saint Laurent n’est pas mort, il nous sourit encore avec son regard libre, cigarette à la main, assit dans son atelier entrain de confectionner .
Saint Laurent de Bertrand Bonello avec Gaspard Ulliel, Jérémie Renier, Louis Garrel. Yves Saint Laurent mène la maison de couture qu'il a fondée avec. Aller au contenu. Menu.
The production design, costumes, and cinematography capture the luster and color of the end of the 1960s and the beginning of the 1970s, emphasizing the correlation between the romantic and visual connections that Bonello builds between Saint Laurent’s artistic inspirations and oeuvre, and the mise-en-scène of the world of the film.
Bande-annonce du film SAINT LAURENT de Bertrand BonelloAvec Gaspard Ulliel, Jeremie Renier, Amira Casar, Lea Seydoux, Helmut Berger, Valeria Bruni TedeschiDa. This film by Bertrand Bonello offers an all-access look into the designer Yves Saint Laurent at work and after-hours with a perspective that is at once intimate and detached.Saint Laurent sheds his name: Yves Henri Donat Mathieu-Saint-Laurent becomes the simplified contraction Yves Saint Laurent, and later must fight to preserve his leading “Y,” as “YSL” is now not only a man but an international brand, an asset to be fought over.
Writer-Director Bertrand Bonello's biopic Saint Laurent retraces events shown more clearly in last year's release, Jalil Lespert's Yves Saint Laurent. . split-screen montages and a parade of .Gorgeous but it feels like Bonello deliberately chafing against boring biopic expectations to the point of abandoning any real structure at all, and intermittently intriguing ideas don't really get examined, like the idea of Saint Laurent being managed as a human brand, or the split screen fashion/history sequence, which is great but also feels a little tossed off.
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